Timeline
1869
The Brooklyn Bridge is under construction. It would be completed in 1883.
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The Great East River Suspension Bridge: Connecting the Cities of New York and Brooklyn, Looking West
Currier & Ives, The Great East River Suspension Bridge: Connecting the Cities of New York and Brooklyn, Looking West, circa 1883, chromolithograph, Library of Congress, LC-USZC2-3409 Society
1870
John Currey Marin is born in Rutherford, New Jersey.
1880 – 1886
Marin attends Union Hill Public School, Hoboken Academy, Stevens Academy, and Steven Institute of Technology.
1892
Marin works as an architect in New Jersey.
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West New York, New Jersey
John Marin, West New York, New Jersey, 1892, watercolor over graphite on textured watercolor paper drymounted to board, 8 ⅜ × 10 ⅝ in. (21.27 × 26.99 cm.), Arkansas Arts Center Foundation Collection, Gift of Norma B. Marin. 2013.013.155
1886
Marin makes his first dated surviving drawing, a scene set in the Catskill Mountains.
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Catskill Mts.
John Marin, Catskill Mts., 1886, graphite on paper,7 ½ × 9 ½ inches (19.05 × 24.13 cm.), John Marin Estate
1888–1892
Marin works with a wholesale notions house and then with various architects.
1902–1904
Marin attends the Art Students League, New York, studying with Frank Vincent Dumond.
1899–1901
Marin studied with Thomas P. Anshutz and Hugh Breckenridge at the Pennsylvania Academy of the Fine Arts, Philadelphia.
1905
Marin briefly attends the Delecluse Academy and the Académie Julian in Paris. He begins making his first etchings. He travels to Amsterdam, the Netherlands, and Belgium.
1905
Marin sails to Paris.
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Middle Atlantic
John Marin, Middle Atlantic, 1909, watercolor on textured watercolor on paper, 14 ¼ × 17 in. (36.19 × 43.18 cm.), Arkansas Arts Center Foundation Collection: Gift of Norma B. Marin, New York, New York. 2013.018.108
1905
November, The Little Galleries of the Photo-Secession (known as 291 Gallery) opens at 291 Fifth Avenue, New York.
1909
Marin returns to the United States.
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Manhattan Skyline from the River
John Marin, Manhattan Skyline from the River, 1909–1912, watercolor over graphite on textured watercolor paper, 11 ½ × 12 ¾ in. (29.21 × 32.38 cm.), Arkansas Arts Center Foundation Collection, Gift of Norma B. Marin, New York, New York. 2013.018.152
1908
Edward Steichen sees Marin’s watercolors at the Salon d’Automne, Paris. Steichen meets Marin through their mutual friend Arthur B. Carles. Steichen sends some of Marin’s works to Alfred Stieglitz to consider for exhibition at 291 Gallery.
1909
Marin’s first art shown at 291 Gallery, New York, in exhibition Watercolors by John Marin and Sketches in Oil by Alfred Maurer. Marin will exhibit annually in Stieglitz’s galleries until 1950.
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Little Galleries of the Photo-Secession Interior
Alfred Stieglitz, Installation view of the Gertrude Käsebier and Clarence H. White exhibition at the Little Galleries of the Photo Secession, 1906, photogravure (published in Camera Work, No. 14, 1906).
1909
Marin meets Alfred Stieglitz in Marin’s studio in Paris.
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Artists at Mt. Kisco(Circa 1912)
Unidentified photographer, Alfred Stieglitz and members of his circle having a picnic at Mount Kisco. The subjects are Paul Haviland, Abraham Walkowitz, Katharine N. Rhoades, Emily Stieglitz (Mrs. Alfred Stieglitz), Agnes Ernst (Mrs. Eugene Meyer), Alfred Stieglitz, J. B. Kerfoot, John Marin. Property of Walkowitz family. Published in: Archives of American Art Journal v. 6, no. 2, p. 15; v. 40, no. 3-4, p. 36.
1910
Marin returns to Paris and then spends six weeks in Kufstein in the Austrian Tyrol. Then he returns to New York.
1912
John Marin marries Marie Hughes.
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Portrait, Mrs. John Marin
John Marin, Portrait, Mrs. John Marin, 1942, gouache and graphite on textured watercolor paper, 14 ⅜ x 12 ¾ in. (36.51 × 32.38 cm.), Arkansas Arts Center Foundation Collection, Gift of Norma B. Marin. 2013.018.140
1932
Marin and his family spend the summer in Small Point, Maine.
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Small Point, Maine(1931)
John Marin, Small Point, Maine, 1931, watercolor, charcoal, and graphite on wove paper, 14 × 19 inches, National Gallery of Art, Washington, D.C., Gift of John Marin, Jr., 1986.54.121.
1946
Alfred Stieglitz dies.
1912
The Woolworth Building and the Municipal Building are under construction in New York City until the next year.
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Woolworth Building
Bain News Service, Woolworth Building, circa 1912, glass plate negative, 5 × 7 inches (12.5 × 17.78 cm.), © George Grantham Baine Collection, Library of Congress. At the left is the Woolworth building and at the right is the Municipal Building.
1936
Marin is given a retrospective exhibition at the Museum of Modern Art, New York, October 21 – November 22.
1913
Watercolors and Oils by John Marin, exhibited at 291 Gallery, January 20 – February 15. This exhibition included several watercolors of the Woolworth Building.
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Woolworth Building under Construction
John Marin, Woolworth Building under Construction, circa 1911, watercolor on paper, 19 ½ × 15 7/16 inches (49.6 × 39.2 cm.), National Gallery of Art, Washington D.C.; Gift of Mr. and Mrs. John Marin, Jr., 1987.19.2.a, SR.13.81.
1945
Marie Marin dies
1949
Georgia O’Keeffe divides the Alfred Stieglitz collection, including many works by Marin, between the Metropolitan Museum of Art, New York; the Art Institute of Chicago; the National Gallery of Art, Washington, D.C.; the Philadelphia Museum of Art; and Fisk University, Nashville, Tennessee.
1913
International Exhibition of Modern Art (known as the Armory Show) held at the 69th Regiment Armory on Lexington Avenue in New York City. Ten watercolors by Marin, including some of his images of the Woolworth Building, were included.
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Armory Show Poster
Armory Show Poster, 1913
1914
John Currey Marin, Jr., is born to Marie Hughes Marin and John Marin.
1914
Marin and his wife, Marie, spend their first summer in Maine, at West Point.
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Fog, West Point, Maine
John Marin, Fog, West Point, Maine, 1914, watercolor and blind stylus marks on textured watercolor paper, 16 ⅜ × 19 ½ in. (41.59 × 49.53 cm.), Arkansas Arts Center Foundation Collection, Gift of Norma B. Marin. 2013.018.237
1915
Summer, Marin family stay at Small Point, Maine. Marin buys an island, Marin Island, off Small Point Harbor.
1916
One-man exhibition of Marin watercolors held at 291 Gallery. This exhibition includes the watercolor Rock Shapes and Tree Shapes, Small Point, Maine.
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Rock Shapes and Trees Shapes, Small Point, Maine
John Marin, Rock Shapes and Trees Shapes, Small Point, Maine, 1915, watercolor and graphite on textured watercolor paper, 16 ⅜ × 19 ½ in. (41.59 × 49.53 cm.), Arkansas Arts Center Foundation Collection, Gift of Norma B. Marin, New York, New York. 2013.018.138
1917
Alfred Stieglitz arranges for Marin to exhibit at other commercial galleries in New York until Stieglitz is able to get his own space again. Marin family spends the summer in Small Point, Maine.
1919
Marin family first spends the summer in Stonington, Deer Isle, Maine.
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Tree, Stonington, Deer Isle
John Marin, Tree, Stonington, Deer Isle, 1926, charcoal and watercolor on textured watercolor paper, 12 × 9 ¼ in. (30.48 × 23.49 cm.), Arkansas Arts Center Foundation Collection, Gift of Norma B. Marin, New York, New York. 2013.018.221
1920
Marin develops a rotating easel that makes it easier for him to paint outdoors. In the autumn, Marin purchases a house at 243 Clark Terrace, Cliffside, New Jersey. It will remain his home and studio for the rest of his life.
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John Marin with easel
Paul Strand, 16 Oct 1890 – 31 Mar 1976, John Marin, 1930, gelatin silver print, 12cm × 9.3cm (4 ¾″ × 3 11/16″), Image, National Portrait Gallery, Smithsonian Institution, © Paul Strand Archive NPG.82.99
1924
Marin is a witness at the wedding of Alfred Stieglitz and Georgia O’Keeffe.
1925
Marin is too unwell to make his annual trip to Maine. Stieglitz’s new gallery, The Intimate Gallery, opens at 489 Park Avenue, New York, New York, and Marin has his first annual solo exhibition there.
1929
Marin and his family spend the summer in Taos, New Mexico. Alfred Stieglitz closes The Intimate Gallery and opens An American Place at 509 Madison Avenue, New York, New York. Marin has his first annual solo exhibition there December 1929 to January 1930.
1930
Marin and his family spend the summer in Taos, New Mexico.
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Mountain Patterns, New Mexico
John Marin, Mountain Patterns, New Mexico, 1930, Watercolor on paper, 15 ⅝ × 20 ⅞ inches, courtesy of Meredith Ward Fine Arts, New York.
1931
Marin and his family spend the summer in Small Point, Maine. Marin is given a one-man exhibition at the Phillips Collection, Washington, D.C.
1933
Marin spends the summer at Cape Split, near Addison, Maine. Marin’s work is included in the First Biennial Exhibition of Contemporary American Sculpture, Watercolors and Prints at the Whitney Museum of American Art, New York, December 5 – January 11, 1934.
1934
Marin buys the Henry Prentiss House on Pleasant Bay in Cape Split, Maine.
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Catskill Mts.
John Marin, Catskill Mts., 1886, graphite on paper,7 ½ × 9 ½ inches (19.05 × 24.13 cm.), John Marin Estate
1942
Marin is elected to the National Institute of Arts and Letters.
1943
Marin is elected to life membership in the American Academy of Arts and Letters.
1946
Marin suffers a heart attack.
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Movement, From New York Hospital
John Marin, Movement, From New York Hospital, 1951, watercolor and graphite on textured watercolor paper, 8 ¾ × 12 in. (22.22 × 30.48 cm.), Arkansas Arts Center Foundation Collection, Gift of Norma B. Marin. 2013.018.149
1947
Marin and Georgia O’Keeffe renew the lease of An American Place, where they hold occasional exhibitions through 1950.
1950
The Downtown Gallery, at 32 East Fifty-first Street, becomes Marin’s dealer. Marin is the featured artist at the 25th Venice Biennale, June – September.
1953
John Marin dies at Cape Split, Maine, at the age of 82.
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The Three Pines, Blueberry Barrens, Washington County, Maine
John Marin, The Three Pines, Blueberry Barrens, Washington County, Maine, 1952, graphite and pastel on tracing paper, 8 11/16 × 11 ½ in. (22.07 × 29.21 cm.), Arkansas Arts Center Foundation Collection, Gift of Norma B. Marin. 2013.018.222